The Lens for Documentary Photography: A Comprehensive Guide

When it comes to documentary photography, the choice of lens can make a significant impact on the overall look and feel of the images. From capturing the grand scale of a scene to isolating a subject with a shallow depth of field, the lens you select can greatly influence the storytelling and visual impact of your documentary work. In this comprehensive guide, we’ll dive deep into the technical specifications and practical considerations of the most commonly used lenses for documentary photography.

Wide-Angle Lenses (28mm or 35mm)

Wide-angle lenses, such as the 28mm or 35mm, are a popular choice for documentary photographers due to their ability to capture a wide field of view. These lenses are particularly useful for:

  1. Angle of View: A 28mm lens has an angle of view of 75° on a full-frame sensor, while a 35mm lens has an angle of view of 63°. This wide perspective allows you to include more of the surrounding environment in your frame, providing valuable context and a sense of place.

  2. Field of View: A 28mm lens captures a field of view of 20.6° horizontally and 14.1° vertically, while a 35mm lens captures 24.1° horizontally and 16.1° vertically. This expansive field of view is ideal for documenting large-scale events, architectural spaces, or capturing the overall atmosphere of a scene.

  3. Minimum Focusing Distance: Wide-angle lenses typically have a minimum focusing distance of around 0.2-0.3m, allowing you to get close to your subject and create a sense of intimacy and immersion in the documentary narrative.

  4. Maximum Aperture: Wide-angle lenses often feature a maximum aperture of f/1.4-f/2.8, providing the ability to create a shallow depth of field and isolate your subject when desired.

  5. Filter Size: The filter size for wide-angle lenses typically ranges from 58mm to 77mm, depending on the specific lens model.

Standard 50mm Lens

the lens for documentary photography

The classic 50mm lens is a versatile choice for documentary photography, offering a natural perspective that closely resembles the human eye. Here’s a closer look at its key specifications:

  1. Angle of View: A 50mm lens has an angle of view of 40° on a full-frame sensor, providing a balanced and familiar perspective.

  2. Field of View: A 50mm lens captures a field of view of 22.5° horizontally and 15° vertically, striking a balance between the wide-angle and telephoto perspectives.

  3. Minimum Focusing Distance: The minimum focusing distance for a 50mm lens typically ranges from 0.45m, allowing you to get close to your subjects while maintaining a natural perspective.

  4. Maximum Aperture: 50mm lenses often feature a maximum aperture of f/1.4-f/2.8, enabling you to create a shallow depth of field and isolate your subject.

  5. Filter Size: The filter size for 50mm lenses typically ranges from 49mm to 77mm, depending on the specific lens model.

Telephoto Lenses (85mm or Longer)

Telephoto lenses, such as the 85mm or longer, are valuable tools for documentary photographers when they need to isolate a subject or compress the perspective of a scene. Here’s a closer look at their key specifications:

  1. Angle of View: An 85mm lens has an angle of view of 28.5° on a full-frame sensor, and the angle of view decreases as the focal length increases.

  2. Field of View: An 85mm lens captures a field of view of 18.4° horizontally and 12.3° vertically, allowing you to focus on a specific subject or detail within a larger scene.

  3. Minimum Focusing Distance: Telephoto lenses typically have a minimum focusing distance of around 0.8-1.2m, requiring you to maintain a certain distance from your subject.

  4. Maximum Aperture: Telephoto lenses often feature a maximum aperture of f/1.4-f/2.8, enabling you to create a shallow depth of field and draw the viewer’s attention to your subject.

  5. Filter Size: The filter size for telephoto lenses typically ranges from 58mm to 82mm, depending on the specific lens model.

Practical Considerations

When choosing a lens for documentary photography, it’s essential to consider the specific needs of your project and the visual style you want to achieve. Here are some practical factors to keep in mind:

  1. Shooting Environment: The location and conditions of your documentary shoot may influence your lens choice. For example, a wide-angle lens may be more suitable for capturing the overall atmosphere of a crowded event, while a telephoto lens could be better for isolating a subject in a busy environment.

  2. Subject Matter: The nature of your documentary subject can also guide your lens selection. A wide-angle lens may be ideal for capturing the scale and context of a landscape or architectural scene, while a telephoto lens could be more appropriate for capturing intimate portraits or close-up details.

  3. Mobility and Accessibility: Consider the physical demands of your documentary work and how the weight and size of the lens may impact your ability to move quickly and unobtrusively. Lighter, more compact lenses can be advantageous in certain situations.

  4. Depth of Field: The depth of field created by your lens can significantly influence the visual storytelling of your documentary work. A shallow depth of field, achieved with a wide maximum aperture, can help isolate your subject and draw the viewer’s attention, while a deeper depth of field can provide a more comprehensive view of the scene.

  5. Perspective and Distortion: Wide-angle lenses can introduce some distortion, particularly at the edges of the frame, which may or may not be desirable for your documentary style. Telephoto lenses, on the other hand, can compress the perspective and alter the perceived relationship between subjects in the frame.

By understanding the technical specifications and practical considerations of the various lens options, documentary photographers can make informed decisions to create visually compelling and impactful images that effectively tell their stories.

References:

  1. The Art of Documentary Photography
  2. The Effect of Subject Distance and Focal Length on Perspective
  3. Which Lens Is Best for Lifestyle / Documentary Photography?